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Margaret Qualley The Substance (2024)

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In Coralie Fargeat's brand-new feminist scary motion picture The Substance, damaging social charm criteria are the genuine monsters. They (women objectification, the fingertip of "the old," the spread of a market built on physical body customization) nourish a creature of a cycle that leads Demi Moore's fading TV personality https://king-kong-72849.wikipresses.com/4591419/the_substance

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